This can be sent to programming@austinfilmfestival.com. • The All Genders, Lifestyles, and Identities Film Festival (aGLIFF) was held virtually for 2020 over two weekends, August 6-16. AFF is pleased to announce the 2019 Script Competition Semifinalists (top 2%) and Second Rounders (top 20%). Austin Film Festival furthers the art and craft of storytelling by inspiring and championing the work of writers, filmmakers, and all artists who use written and visual language to tell a story.. Email at programming@austinfilmfestival.com or call at 512-478-4795. In a similar respect, AFF does not invite films to be in competition. Comedy Feature Screenplay presented by Sony Pictures Animation, Fearsome Critters by Hayden Thomas Christensen & Stephen Christensen, Grad Night by Steven Haas & Ross Raventos, It’s A Christmas Miracle, Charlie Brown by Tom Radovich, Drama Feature Screenplay presented by Writers Guild of America, East, Attention Whore by Katherine Botts and Mischa Marcus, BLACKFACE: the story of nobody by Cajardo Lindsey, Boundary Waters by Joann Buckley Collins and Eric Olson, The Corruption of Beauty by Bruce Dundore, The Greatest Thing Since Sliced Bread by Peter Barnes, Where the Ground Touches the Sky by Sye Mac, Whispering Winds by Richard Guimond and Linda Corderio. - Ron Howard, 2009 Extraordinary Contribution to Filmmaking Award Recipient. Check out all our award categories! They were chosen from a record field of 11,907 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Google Analytics is a web analytics tool that helps website owners understand how visitors engage with their website. AFF has also made great strides promoting film production in Texas. Our Selection Committee is recruited, trained, and supervised by our Programming staff in order to best judge and fairly weigh all entries. Open to thrillers, dark suspense, sci-fi, and macabre themes. We're always looking for folks to join our team whether it's through volunteering or interning or working with us on staff. In this report from Austin Film Festival 2019 Kristy Strouse covers two interesting, female driven shorts, notes from a writer's panel with Liz Hannah, and a review of The Bygone. Considering recent changes established by the General Data Protection Regulation (GDPR), a set of laws passed in the European Union, we have updated our Privacy Policy. Open to any form of animation. by Emily Winter & William Luke Schreiber, Second-Generation Heroes by Lucien Flores, Sitting by Kyle Christopher & William Graves, Space Crusaders:Rise Of The Watchers by Paul Anthony Skinner, Space Pirates! Register today to take advantage of the unique opportunities this event has to offer, including keynotes, Conference sessions, Music Festival showcases, Film Festival screenings, world-class networking, and the unexpected discoveries that are always a part of SXSW, all in a digital setting. Fantastic Fest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, action and just plain fantastic movies from all around the world. We then use the information to compile reports and to help us improve our site. Posters! by Eamon R. Mcivor, Bots by Michael A. Owens & Zachary N. Bidman, Bright Lights, Mason City by Kincaid Walker & JASON EKSUZIAN, Confessions Of A Sunday School Dropout by Sam Suksiri, Confessions Of A Zombie Girl In A Human World by Karma Christine Salvato, Dl Law by Justin Gallaher & Samuel Roseme, Emma And The Superhuman Power League by Heather Woodward, Girlfriend by Amanda Callas & Otto Johnston, Giving Me Life (In The Land Of The Deadass) by Dafina Roberts, God Of Vegas by Joe Gonzales & Bradford N. Smith, Good Grief by Faissal Shaib & Louay Khraish, Good Hair by Katie Nathan & Daniel Landroche, Granville After School Mystery Club by Jeff Galante, Heaven Springs, Ny by Nick Weiss-Richmond & Micah Paisner, Hold For Olympus by Gian-Paul Bergeron & Kevin Kelly, I Call Him Kevin by Peter Mayer Klepchick, I’m Just Not Feeling Myself by Peter Groynom, Inspiration Porn: The New Hire by Nicolas Pinzon, International Relationships by Andrea O’Malley, It’s Always The Husband by Katie Barsotti, Jack Lantern: Ghost Puncher by Taylor Thornton, James Luber’s Animal Studio by Jerry Landry, Juiciful by Jake Goicoechea & William Carington & Courtney Bush, Kooky, The Post-Apocalyptic Cockroach by Dax De La Monta, Lock And Boone by Colin Miller & Alex Cain, Lord Birthday by Mike Langer & Trevor Worley, Lovecamp by Kyle Emelander & Allison Ungar, Madam Caraveil’s Caravan Of Curiosities by Amanda Keener, Maribel Jones Saves The Future by Andra Moldav, Midnight News Hour: Reporting Dear Leader’s Dreams As Our Reality by Eunice Park, Misfit Parents by Amanda Jo Scott & Veronica Rose Slattery, My Horrible, Beautiful Everything by Michaela Myers, On Thin Ice by Arielle Waldman & Jordan Henry, Palm Lakes by Eiseley Kotchoubey & Kathryn Dines, Peace, Love, And Law Enforcement Pilot by Lorraine Portman, Perks Of Being A Vampire by Ashley D. Cook, Rob Riggle For President! You must have JavaScript enabled to fill out this form. ©2021 Austin Film Festival • Austin Film Festival is a Not for Profit 501(c)(3) Corporation. The one-hour radio program & our podcast both feature the creative minds behind True Detective, The Graduate & more. They were chosen from a record field of 11,907 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Run! by Chelsea Bunn & Michael Jastroch & Bryan “LuBu” Roberts, Division Street: Fish Out Of Water, Division Street: Mahjong, Division Street: Black Hats by Traven Rice, Fangirls by Greg Goodness & Zach L. Wilson, Ghost Letters From The Colonies by Gina Deangelis, Koyspiracy! AFF will select one winner who displays the strongest voice and greatest potential for establishing a digital series. The one-hour radio program & our podcast both feature the creative minds behind True Detective, The Graduate & more. Austin Film Festival furthers the art and craft of storytelling by inspiring and championing the work of writers, filmmakers, and all artists who use written and visual language to tell a story.. Austin Spotlight Film Festival (ASFF) is an international film festival with an annual live event held at Alamo Drafthouse. Including fiction, documentary and animation from around the world, the 2019 program gives […] AFF 2020 Opening, Centerpiece, and Closing Night Films Announcement. Invest in your career! This competition connects audiences with incredible new stories, as well as connects writers with a medium that offers an incredible access to audiences and limitless opportunities to launch new stories. There is nothing to soften the blow of what happened to Kenneth Chamberlain Sr. in his own home almost eight years ago. Bratton, Oc ’74 by Steven Bottomley & john comerford, Open House by Sean Joseph Salazar Jourdan & John Ingle, Over The Moon And Under The Sun by Gregory Breuer, Perfectly Human Death by Paula Saslow & Samuel Blue Gibson, Pizarro And The Poisoned Pastry by Brian Bolt, Queen Of The Channel by Mark Williams-Abrams, Quest For The Tiger’s Eye by Dylan Perry Morgan, Ross Commons by Mike Gallagher & Holly Martinez, Row Your Boat by Ben Samuels & Oliver Samuels, Sandra, Please Come Home by Solmund Macpherson, She Has You Now by Ibrahim Renno & Jennifer Black, Sinbad And The Mountain That Eats Men by Dylan Dockery, Something’s Gone Wrong by Simon Littlejohn, Somewhere Else In The Universe by J.P. Smith, Somewhere She Can Scream by Kenneth Mills, Southside Or (The Inner City Blues Makes Me Wanna Holler) by Benny Jean-Baptiste, SPARK, The Ada Miller Story by Katie B. Goode, Stop by Steven Degennaro & Scott Weinberg, Successful Steps For Coping With Cancer by Olivia Bono, Sushi Or Not To Be by Takeo Hori & Masayasu Nakanishi, The Backslider’s Club by Mckenzie Hamilton, The Beatitude Murders by Dominick Bagnato, The Bitterroot Chronicles by Debbie Castanha, The Blue Door Retreat by Scott Kirkpatrick & Erin Zukowski, The Boy With The Pink Triangle by Amy Reedy Asbjørnsen, The Cage Of La Llorona by Karen Mcdermott, The Causeway by Stanley Wong & Patrick T. Dorsey, The Dark Inheritance by Wendy Wade Pierce, The Death Of Jonathan Brown by Sarah J. Sommers, The Elijah Project by Roosevelt Davis & Shawn Mahoney, The Events Leading To The Coup: A Love Story by Travis Oltmann, The Fierce White Lady Of Chinatown by Jason Chan, The Flying Machine And The Invention Of The Wright Brothers by Bretton Zinger, The Futurists by Julie Kenner & Aaron de Orive, The Girl In The Navy Blue Sweater by Laura Carrione, The Hippocratic Coercion by Rugare Nyakunu, The Illumination Of Isaac Newton by Gc Johnson, The Last Adventure Of Shay Blaze by Howard Fridkin, The Last Doctor by Matteo Gomez & Kareem Ayas, The Left Handed Hurl by Francis Scullion & Geraldine Scullion, The Lightkeeper’s Daughter by Alan Savage, The Lonely Hero Of Someplace Else by Michael Bruno, The Luminare by Robert Walcott & Amir Barda, The Man Who Killed Hitler by Fausto Politi, The Midwife Theory by Lisa Maree Dewberry, The Music And The Mirror by Jeremy Fassler, The President’s Mistress: Sex, Sexism And Scandal In The Time Of The Suffragette by Jay Laurence, The Producer, The Prince, And The World Cup by Christopher Zafirson, The Red Death by Jason Rotolo & Mikey Rotolo, The Reflection Of A Tragic Lullaby by James Ryan Kirk, The Settler’s Disgrace by Zed Martin & Thomas Joseph, The Suburban Kaleidoscope by Samuel R. Peirce, The Summer Of A Thousand Weddings by Aditya Joshi & Sid Gopinath, The Sunflower Fence by Sharon Oard Warner & r, The Truth Seer: “Intuition” by Jenny Yates, The Twilight Run by Andrew Mcdonald & Nick Sanford, The Unfound by Christian Baker & Jessica Brunetto, The Vasty Deep by Michael Horton & Samuel Horton, The Watchers by Jacob Thompson & William Ross, The Way The Truth The Life by Alison Moir & eb lottimer, The Weight Of Gold by Cristina Dimarzio & Chris Bower, There Goes The Neighborhood by Brecht Horn, This Side And The Other by Isabella Vergun, Throwing From The Mound by Jack Eckert & Juan Bustillo, T-Minus Zero by Troy Anthony Miller & J.R. Smith, To Afghanistan With Love by Richard Herstek, To Will The Sunrise by David Michael Miller, True Love Never Dies by Patrick Champ Wier, Twenty-Five Cents For Sand by Patrick Cressler, Twenty-Four Seven Japan by Daniela Bailes, Un Point Dé Depart (A Starting Point) by Abigail Carpenter & Courtney Hargrave, Unfortunate Sons Of Nogales, Arizona by Kevin Chappell, Unholy Toledo by Mary Goldman & Tim House, Ursula And Our Conversations, The Nazi Era by Chaitania Hein, Who Can Divine The Messenger? The Musical by Thomas Carmody, Boarding: Greetings From The 4th Dimension by Bridie Jurasevich, Burn Cruise by Connor Diedrich & Sam Johnson, Bye Bye, Daddy by Ryland Mcintyre & Tommy Schell, Cat, Interrupted by Christopher Boyce & Debra Chinn, Christmas Versus Silicon Valley by Matthew Conlin, Considerable Shortcomings by Brenda Lepage, Dotty Campbell, Monster Hunter by Erin Hays, Everything Follows From This by Jeffrey Gilchrist, Fender Bender by Sara O’Reilly & Jeremy Foley, Go To Hell by Benjamin Font & Emanuel Borria, Good Taste In Men by Bry Troyer & Anne Hartner, Grandpa’s UFO by Steve Mitchell & Justin Evans, I Guess The Lord Must Be In New York City by Shaun Mclaughlin, Intergalactic Cutthroats And Roadkill by Joseph Neal Buckley, Jack Hammer: Male Stewardess by N. Fituri Scown, Kidnap This! The weekly, 30-minute television series features interviews with today’s leading creators, writers and filmmakers. The expenses of the writer(s) and the director(s) will be covered under the fellowship (at most 2 people). Randal, Randy and the Black Hole by Owen Croak, All The President’s Women by Naomi Brodkin, Grad Night by Steven Haas and Ross Raventos, Incoming: “Seedlings” And “Koshkonong” by David Singer, The Deputy Of Loneliness by Alyssa DiMari and Grant Sloss. When we receive a submission, we are not just watching a movie – we are watching the result of intense collaboration, planning, and work. Austin Film Festival 2019: (Trans)national Justice Brice Ezell. Look through our different options, and find which badge is the perfect fit for you! The weekly, 30-minute television series features interviews with today’s leading creators, writers and filmmakers. Austin Film Festival welcomes new ideas and would love to work with any organization that shares interest in the arts and entertainment industry! The film’s credited writer or director must be a current student or completed the film during the time the filmmaker was a student. Even though the 27th Annual Writers Conference has ended, the friendships found, stories shared, and lessons learned will stick with us for a long time to come. Austin Indie Fest - made by filmmakers completely for the Indie filmmaker! The only cookies in use on our site are for Google Analytics. by Lawrence Rothfield, Winter Birds by Elisabeth Lewis Corley & Jim Grimsley, Worthy by Mary Griffitts & Ryan Griffitts, a/s/l : Captain Bacalao Has Entered The Room by Julio Olivera Mendoza, Alanna Grimm by Kari Mote & Alana Grimaldo, Alice Watson, Paranormalist by Kristin Kirby, American Colony by Juan Francisco De La Guardia, And Call Me In The Morning by Richard Willett, Bell Tower by Anderson N Cook & Connor Wright, Burt Kowalski: King Of The Universe by Tanner Hansinger, Burying Henry VIII by Leonarda Van Der Ark, Carnacki: The Ghostfinder by Patrick Regan, Chain Gang by J. Ian Sample & Marcel Walker & Jared Glenn, Chronoverse by Craig Berger & Adam Pachter, Citadel by Michael Sullivan & Devon Skrade, Claywood Terrace by Alex George Pickering, Cold War Charlie by Cheryl Gallegos Agbunag, Compliance by Aitan Shachar & Mike DePaolo, Cosmet Point by Kate Murdoch & Seth Blogier, Cotton Pharming: The King’s Orders by Matt Grimmig, Double Back: Fear Of Falling by Danielle Dipaolo, Druid Of The Danu by John Paul Murphy & Chris Bramante, Endlings: A Conspiracy Dramedy by Irene Hernandez & Kelsey McConnell, House Of The Moons by Soo-Hyun Chung & Jonathan Sanford, Intriguer by Yellowlees Douglas & John T. Eubank, Keyes To The Astral Plane by Paige Macdonald, Late Night Love With Rosemarie by Rachel Mckeon, Little Chicago by Jw Perkins & Jennifer Anise, May The Devil Be Kinder by Alexander Davidson, Model Man by Jay Kressly Elias & L.T. - Ron Howard, 2009 Extraordinary Contribution to Filmmaking Award Recipient. A couple of those movies, "Harriet" and "Motherless Brooklyn," are in theaters this weekend. Shorts must be Austin premieres, although Texas Premieres are preferred. The online festival, aGLIFF 33: Prism offered more than sixty-five films, with features, shorts, and events showcasing the diverse experiences of LGBTQIA+ people. Read what others are saying about Austin Film Festival. Check out our current opportunities below. Rating: A. Submission packages must total less than 30 minutes and can consist of the first one to three episodes of the first season. Google Analytics customers can view a variety of reports about how visitors interact with their website so that they can improve it. Google Analytics is a web analytics tool that helps website owners understand how visitors engage with their website. Austin Dance Festival is a modern dance and film festival held every spring in the heart of downtown Austin. The Jury Advisory Program will facilitate opportunities for entrants across all nine of AFF’s film competition categories sourced from selected in-competition films. We may use your personal information to send you promotional information which we think you may find interesting if you tell us that you wish this to happen. Attend our Awards Luncheon, Pitch in our Pitch Competition & party at our Film & Food Fundraising Gala! AUSTIN STUDENT FILM FESTIVAL TBD 2021 In its fourth year, the Austin Student Film Festival is dedicated to the craft of student filmmaking. ASFF is a platform for indie filmmakers to watch their film on the big screen, discuss their projects, & enjoy a night in the spotlight. You must have JavaScript enabled to fill out this form. We then use the information to compile reports and to help us improve our site. by Kerry Valderrama & C.M. You can opt out of being tracked by Google Analytics by visiting their page. Austin Film Festival furthers the art and craft of storytelling by inspiring and championing the work of writers, filmmakers, and all artists who use written and visual language to tell a story.. Overall, cookies help us provide you with a better website by enabling us to monitor which pages you find useful and which you do not. AUSTIN FILM FESTIVAL ANNOUNCES INAUGURAL ENDERBY ENTERTAINMENT FILMMAKING FELLOWSHIP AWARD AND JURY ADVISORY PROGRAM. Entrant must provide proof of enrollment in the form of an official transcript or signed letter from faculty on official letterhead. Verrastro, Not For Profit by Diana Grisanti & Steve Moulds, Paperweight by Michael Sokey & Katie Scrivner, Pretenders by Darcy Brislin & Andrew Sands, Project S.I.R.E.N. AFF’s Young Filmmakers Program introduces the arts of screenwriting and filmmaking to young people, ages 9-18, and provides them with venues for developing their storytelling talents. It reports website trends without identifying individual visitors. The Sick And The Feared by Ryan Ederer & Matthew Bone, The Deputy Of Loneliness by Alyssa Dimari & Grant Sloss, It’s Always Sunny In Philadelphia: The Gang Helps Animals by Mage Lanz, Shameless: Can’t Have Two Jesuses by Ellie Karenev, Superstore: Run, Hide, Fight by Erin Muroski, Black Mirror: A Beautiful Destination by Heather Taylor, Lucifer: A Good Atheister by Deborah Heslop, Sherlock: The Painted Hand by Victoria Rau, The Umbrella Academy: Happy Twenty-Third by Amelia Swedeen, The Walking Dead: Memento Mori by Jake Plumeri, Dolls In The Walls by Katherine Cox and Matt McCarthy, Ryan Gosling F*cks Your Wife by Aaron R. Smith, The Devil Will Drive You Mad by Michael Pitts, You Are My Fish And I Will Keep You Alive by Em Frederick, Mimi At The 44Th Parallel by David James Parr, The Shit Show: An American Allegory by Leelee Jackson, Truth On Trial: The Ballad Of Sojourner Truth by Dr. Douglas W. Larche, Woman Descending A Staircase by Phoebe Eaton, Captivated by Amy Frances Wright & Ana Worrel, Eternity in the Forest City by Sean Jeter, The Trouble With Unicorns by Chris Pahlow and Grant Scicluna, ZARS: Zombie Apprehension And Relocation Service by G. Robert Frazier, 8 Days With Uncle Billy by Kathleen Krauland, A Brooklyn Christmas by Drew Henriksen & Anthony Mangano, A Brooklyn Love Story by Chiara Montalto Giannini, A Diary Of Art (A Diarrhea Fart) by Connor Sullivan, A Girl’s Guide To Surviving The Apocalypse by Jessica Tomke, Almost Better Than Working by James M. Mccarthy, Amateur Dictator by Zach Carver & Max Isaacson, Amazingly Graceless by Clinton-Khile Bragger, An American Rock Band The Documentary by Corey Heinz, Apocalypse Revenue Service by James Sunshine, Appearance And Baggage by Diana Regolizio, Bar Mitzvah Man by Max Kinchen & Suzanne Bressler, Bardown: The Billy Buchanan Story by Justin Daniel Kueber, Beat Jimmy Johnson! JSTOR (June 2019) (Learn how and when to remove this template message) Austin Film Festival (AFF), founded in 1994, is an organization in Austin, Texas, that focuses on writers’ creative contributions to film. The winner will also receive a cash prize of $1,000, reimbursement (up to $500) of one round-trip airfare to Austin to attend AFF, reimbursement (up to $500) for stay at an AFF hotel during the Festival, and the AFF Typewriter Award. AUSTIN FILM FESTIVAL ANNOUNCES 2019 SCRIPT COMPETITION. Austin Arthouse Film Festival Official Selections Years 1 + 2 . Shirts! We accept all types of short films, music videos, trailers, or even kickstarters. Eucharist by Christian Horning and Mayo Whaley, Fearsome Critters by Hayden Thomas Christensen and Stephen Christensen. Check out all our award categories! These cookies are used to store information, such as the time that the current visit occurred, whether the visitor has been to the site before and what site referred the visitor to the web page. This competition accepts both filmed and written submissions in an effort to find talented voices who can adapt their vision to emerging digital platforms. AFF is pleased to announce the 2019 Script Competition Semifinalists (top 2%) and Second Rounders (top 20%). Most importantly, AFF’s Narrative, Documentary, and Animated Short Jury Winners qualify for consideration for an Academy Award®! As Austin Film Festival continues to grow and expand, our vision also widens with the addition of new avenues for storytellers. by Elyse Moretti Forbes, Queens Of The Apocalypse by Mark Ryan Walberg, Red Hot Valley by Maria Collin & Michael Kratochvil, Run! Films must be at least a Texas Premiere, but US and World Premieres are always preferred. The only cookies in use on our site are for Google Analytics. by Christin Eve Cato, When Everyone Leaves by Lindsey Van De Kirk, With Great Difficulty Alice Sits by Hannah Kenah, A Good Egg by Sharon Cooper & Shetal Shah, A Lady Of Vassar by Anthony Cortez Fernandez, A Portrait Of Frances, Enclosed by Jacob Levy, Blank An Animated Short Film by Bernardo Duran Jr, Boy In Love by Minami Goto & Victor Russo, BraudnóTt (AKA Night Of The Living Bread) by Rives Elliot & Flemming Laursen, Charles Street by Elizabeth Jane Randall Arredondo, Five Stages Of Grief:  Starbucks-Style by Marcus John Julius, Foley (Or “Do What You Love”) by Michael Schiff, Grandma’s New Boyfriend by Stephanie Westendorf, Imran by Abhishek Raghavan & Chad Hermann, Inhabiting Pluto by Jessica G Hill Cabrera-Contaoi, Izzie And Yuo-Chen On A Date in Autumn by Matt Ocks, Love, Death, And Robots: Mint Julep by John Luwick, No Ordinary Stranger by Matthew Hopper & Steve Kenny, Noise Complaint by Matt Mccarthy & Katherine Cox, Ollie On The Short Bus by Melissa Morgenlander, Outrage In Cedar Bend by Nello Digiandomenico, Rust And Ruin by Kyle Rynicki & John Rodgers, Snow Day by Cameron Gavinski & Tuesday Grant & Gabe Godoi, The Anchor & The Wave by Jonathan Ray Case, The Boy Who Built His Hogan Facing The West by Michael Fillerup, The Brothers Of Rwanda by Kaitlin Broadbent, The Dead Girl Who Knew Nothing Of Death by Tyrel Pinnegar, The Divide by Jason Walter Vaile & Brandon Carmichael, The Last Man From Earth by Erik Sternberger, The Long Way by Bryan Campbell & David R. Larson, The Newest Profession In The World by Matthieu Silberstein, Whatever Happened To Muffin? “ there is nothing like ATX to remain one of a kind, world event... To compile reports and to help us improve our site are for Google by! C ) ( 3 ) Corporation more during follow-up artist interviews and stories of the world and recollections on creative... Who displays the strongest voice and greatest potential for establishing a digital series Festival ; Festival Passes and ;! Policies.Contact.Sitemap.On Story determine the Finalists and eventual winner this Competition accepts both filmed written... Myth/Legend and fantastical storytelling are submitted will be considered for Competition is an international Film Festival TBD in. Opportunities to share their creative work with peers, the public, and fiction Competitions... Website so that they can improve it is an international Film Festival in on. 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